Grey days

Yet another RANT

I've finally come to the last wedding pictures for this "season". As usual, I'll do a de-brief of things I learnt.

Where I failed:

• Too tight crops of subjects. I was a little too desperate to capture certain expressions, so much so that I zoomed right into their faces. Not only does it look weird to have 6mpx worth of a face, the picture also fails to tell a story. Why did this person laugh? Why the funny expression? An excuse I can come up with is that with a small and dark viewfinder, I tend to zoom in more closely to look at the expressions. Crap, another excuse for a d300.
• Too much tilt shots. This is getting out of hand. An occasional tilt adds life to the set, but overdoing it resulted in a hap-hazard presentation. Stupid. In my tries for the perfect tilt, I screwed up many shots that would otherwise be ok. In addition, having too much tilt shots also shows that i lack maturity and proper composition skills.
• Poor focus. Can't be helped, I'll get the solution should a new wedding assignment draws near.
• Not observant of light. Mounting a flash results in being totally insensitive to light. I should also learn to add more direction to where my flash is bounced, but have to watch where I blast it at.
• Bias towards family members. I shot so many pictures of my relatives I find them sick. Should have paid more attention to other people. I still lack professionalism.
• Lazy. Somewhere into the dinner, I felt tired and began to think I've got enough shots. But the truth is, the later into the night, the livelier the crowd becomes, and the more opportunities there are. Haiz.

Where I improved:

• Expression. Of course as I mentioned I get too tight expressions, but having expressions is still better than none at all. At least there is a little more variety compared to previous weddings.
• Exposure. Although I have no fast lens and hot bodies, I do have a good flash, helping me nail the exposure for the bread and butter group shots. I need to develop a way to flash without getting reflections from glasses though. An option would be off hand lighting, which is cumbersome.
• Workflow. I learnt to be more organized in picking out the better pictures and developing them, saving time (as if i'm in a hurry...lol)

Enough said. To the average joe, my pics might look ok, even great. But I know where I stand - NOOB

Should I just stop here?

Another rant post, without photos. Weather isn't spectacular, and i'm not really in the mood to shoot anyway.

Almost done editing photos from the penang shoot. Thinking through what i've did so far, I'm forced to ask myself this qn: Should I stop?

I'm a cheapo. I keep holding back my purchases despite knowing how much they can help me improve. I keep thinking that I can shoot like a pro without the need for pro equipment, so long as i develop proper skills. All these because I know I will not go pro, and my equipment will never pay for itself.

Conventional, photojournalistic, documentary shots are now not much a problem. But they aren't challenging. Any bloke owning the right gear would nail them. To go beyond and shine, i'll really need to pump in big bucks.

1) Fast lens. At least a 2.8 zoom, or go for primes. I can contend myself with the flat flashed images, or go get some primes to shoot the really outstanding mood shots. The cheapest 2.8 zoom retails for 600++, and good primes will cost in excess of 1k.

2) Hot body. Either a d300, or get a canon 40d. I've seen how much a hot bod can help nail the shot. Not only with their fast fps, the superior AF system and low ISO noise will give me lots of advantages. Pros can laugh, quoting how they one-shot-one-killed in many situations, but they end up sporting a d2/1d series anyway.

3) Stable tripod. Call me a cheapo, but i'm still waiting for the super steady ballhead tripod retailing below 200 bucks.

But being a cheapo, I'm reluctant to spend. I don't want people to think I dunno how to prioritise my needs, buying exotic equipment just to get photos that don't earn money. It's all about satisfaction. It's just a hobby. Maybe I should just forget about all these and contend myself with normal pictures any tom dick and harry would get.

Verdict - No D300, No more weddings!

It may sound really extreme. There are pros out there shooting d200 weddings, and maybe some d100/d70 pros as well. But in my case, i couldn't be more pissed than missing so many shots because of a body.

Smiles, kisses, handshakes, laughters; the very moments of joy and jubilation that defines a wedding reception all took place spontaneously and without warning. To me, it's like walking into a battlefield. Everywhere i turn, there's a scene crying to be shot, rare and precious memories waiting to be captured. I cannot fail. It's a once-in-a-lifetime thing.

While I am still far from psychic, I expect my equipment to be at least be as responsive as myself. When I point it at a face, it should lock focus, ok, at least try to achieve focus. But NO. The cam900 system took 0.5sec to START moving the focus, and then another 0.5-1sec to lock focus (if it managed to lock at all) This is like a gun that fires a sec after u pulled the trigger. I'm be better off dead.

The lower resolution of the cameras doesn't make them the ideal choice for group shots as well, especially when the iso1600 noise obscures the fine details.

Fortunately, Nikon's D300 seems like its made specially for the job. With its d2-beating AF system, and noise comparable to a Canon, it is the ideal and most logical upgrade for me. Sadly, very sadly, it retails for SGD2700, and it's unlikely to drop price anytime soon. Looks like i'll have to turn down wedding assignments till i saved up enough for the new toy.

Bond - Beginning of the end?

The utmost commitment,
to stay as one till the lights go out.

How heavy are those rings?

Interior Architecture Photography

This is one aspect of photography where tripod is really important. And i really lack a quality one. (in fact my present one is so jialat i have fridge magnets stuffed into the legs to prevent it from slipping) Anyway, just saw some pros' works and they seemed to utilize subtle HDR for more pleasant highlights rendering, so here's my take on a landmark site at the upcoming terminal 3.

3rd try, no major improvements

Taking a break off the post processing of photos from my 3rd wedding assignment, held at Fullerton. I was better prepared than before, in terms of equipment as well as exposure. However, as i looked through the files i brought back, it struck me how little i improved. Perhaps I was not properly briefed on what's going on, perhaps because there were pros around and i did not want to get in the way, perhaps the lighting condition was so bad my cheapo equipment could not cope, perhaps.... the usual 101 excuses. Now for the debrief...

Biggest changes since the previous assignments:

1. Better flash control. This is no doubt due to the more powerful (and expensive) SB800 being deployed, able to light up the whole room. Also because of more experience with flash during my SYD assignments, I was able to make the flash look more subtle.
2. More ambient shots. Fullerton hotel was so grand, the interior so well decorated that I couldn't stop myself snapping away at little details and textures. These pics work well for "fillers", but are not the money shots.
3. Natural light. I'm lucky to have a borrowed D50 body with me. Its iso1600 produces much richer and cleaner pictures than my D70 noise machine. I realised that I never went below iso800 for the whole of the assignment! However, this is still not enough to capture natural light shots during dinner reception. A check with the pro showed that he is shooting ISO 3200 (on a canon 40d), at F2!!! That is a wopping 2-4 stops of light ahead of me. Pro tio si pro... got money to buy fast lens and good bodies. Perhaps one day when i get a d3...
4. More closeups. Yes, the bazooka is out again. It got me lots of smiles and expression shots that i could never achieve before. However, even the bazooka is not fast enough for the damn dinner room.

I learnt a big lesson: No matter how up ur skills can be, equipment matters! I also lack the experience, unable to anticipate moments of rich expression. The pro (ckuang from 39east) was ALWAYS there when people were smiling, laughing and shaking hands. Call him a psychic. Patience... Now i have to quickly finish my processing, and prepare myself for the 2nd wedding reception shoot in Penang, by the same couple. I'm feel honoured to be flown overseas just to shoot, and it'd better be good.